诗性与时间

On the Relation of Poetic Quality and Time

本文首先区分了诗性时间与非诗性时间。接着指出,在诗性时间中,时间是倒流的,将来首先到场,其次才是过去和现在到场。但将来并非单独到场,而总是贯穿于过去和现在之中,成为引领诗性时间的旗手。自由是将来的标志。自由作为将来的标志,是非目的性的自由,即超功利的自由。诗性时间的三种样式——将来、过去和现在的同时到达,便是诗性的瞬间。瞬间以间断的方式不断绵延着时间,从而使瞬间和永恒握手。诗性空间是由诗性时间整理和开拓出来的,没有时间性的奠基,空间性的形象便会成为互不关联的碎片。在优秀诗作中,时间的空间化和空间的时间化是双向对流的。本文最后指出,诗性不是概念的、经验的,而是直观的、超验的。这种超验的直观,也可称之为智慧的直观。

First of all, this paper distinguishes between poetic time and non-poetic time, and then states clearly that time moves backward in the poetic time-the future comes first, and then the past and the present. But the future is not coming on its own; it always runs through the past and present, leading the poetic time. Freedom is the mark of the future, but it is non-utilitarian freedom. Three modes of poetic time-the future, the past, the present-come at the same time, that＇ s the poetic. This instant stretches in a continual way, and thus joins the eternity. Poetic space are sorted out and created by the poetic time; without the basis of the poetic time, the spatial images will be broken into unconnected pieces . In an excellent poem, spatialized time and chronologicalized space is bidirectional. At last, the paper argues that poetic quality is not conceptual and experiential, but intuitive and transcendental ,which may be named intellectually intuitive effect.