后现代语境中的当下新诗“民间写作”

The Folk Writing of New Poetry in the Post-modern Context

20世纪90年代以来,随着改革的加速和全球化浪潮的迅速蔓延,种种后现代症候在中国广为出现。置身“后现代”文化语境的新诗“民间写作”也不可避免地染上了一些后现代色彩。在形式和用语上,颠覆传统的诗歌形式,奉行口语化写作,打破诗歌语言与口语的界线,表现出明显的“散文化”特征。这种“散文化”特征不仅是对新诗自由诗传统的继承,更是出于其“民间”立场的日常化写作的需要,是诗作中叙事因素增加的必然结果,同时也是后现代艺术“反形式”的表现。

With the acceleration of reform and the rapid spread of globalization since 1990＇ s, many symptoms of post-modernity have widely emerged in China. Therefore, the folk writing of new poetry in the post-modern context acquires a number of post-modern colors. The folk writing pursues a tongue style, upses the traditional poem in form and language, and acquires an evident characteristic of prosaic tendency. This characteristic is not only an absorption of the free verse of new potry, but also a need of the writing from the folk standpoint. It is the outcome of the increasing narrative ingredient, also a representation of the post-modern art＇ s anti-form.