摘要
梅花在中国传统审美意识中的心理寓意经历了漫长的变迁。一直以来,梅花是贞士、君子或是隐士、美人和仙子的象征,寓示着高洁的品性。但是从魏晋到宋代,梅花在我国审美心理寓意中有一个从女性对爱欲的禁忌到中国封建社会知识分子男性对性的压抑,再由男性的性压抑发展为象征贞士、隐士、美人仙子的演变过程。宋代以后梅花的审美心理寓意才定型,没有发生更多的变化。
Plum blossom has been personified as gentlemen, hermit and fairy lady and associated with perfect personal integrity. It has witnessed a long journey of psychological awareness in Chinese traditional aesthetic mindsets. However, from Weijin Dynasty to Song Dynasty ,the psychological awareness of plum blossom shifted to another area ,where it was associated with women sex abstinence and men sex constraint. After Song Dynasty a, psychological and aesthetic awareness came back to its original norm of perfect personal integrity with little changes to the present time.
出处
《浙江工商职业技术学院学报》
2007年第2期27-29,共3页
Journal of Zhejiang Business Technology Institute
关键词
梅花
传统文化
心理寓意
性压抑
plum blossom
traditional culture
psychological awareness
sex constraint