摘要
当今学界,对皎然诗歌的研究是很薄弱而不系统的,文章从总结前人的点滴成果开始,着重从美学的角度来探讨诗僧皎然诗歌创造里“清”的运用及其诗学观,并对其释道圆融的诗学美学观作初步阐释。
Nowadays, the study on Jiao Ran's poetry is deficient in its systematicness. Hence this paper com-mences from some productions of forerunners, stresses how to exercise the word Qing and it's standpoint in the po-etry of Jiao Ran from aesthetics and gives on initial explanation to the unification of Buddhism and Taoism.
出处
《南通航运职业技术学院学报》
2007年第2期6-9,共4页
Journal of Nantong Vocational & Technical Shipping College
关键词
皎然
清
释道圆融
诗学美学观
Jiao Ran
Qing
The unification of Buddhism and Taoism
The aesthetic standpoint of poetry