摘要
在现代、后现代的文化语境中,丑从各个方面渗透到人们的文化、生活领域,从而打破了一直以来丑在审美领域处于“他者”的尴尬文化身份,丑以其最本真的状态由边缘走向中心。本文拟从“审美”到“审丑”的视界转变,来探讨审丑发生的可能性以及丑的美学意义之所在,从而揭示丑作为一个独立的审美范畴所代表的独特价值。
In the cultural context of the modern and post-modern times. Ugliness has permeated into people's culture life from every respect, broken the ice where it existed as the "exotic" role in the aesthetics field, and therefore with the most naive state, Ugliness has walked towards the centre from the periphery. This paper illustrates the possibility of ugliness appreciation and the significance of its existence in the view changed from aestheticism to ugliness appreciation, in order to reveal the particular value of ugliness as a dependent representative in aesthetic category.
出处
《中北大学学报(社会科学版)》
2007年第3期62-65,共4页
Journal of North University of China:Social Science Edition
关键词
丑
审美范畴
理性主义
异化
ugly
aesthetic category
rationalism
alienation