摘要
《红旗谱》是“十七年文学”的代表作,在新世纪“红色经典”的改编热中,再次成为了人们注目的焦点。它的研究有着明显的时代特征:五十年代在革命真实的要求下,关注艺术与真实的关系;六十年代在“两结合”和“阶级性”的指导下,完成了思想意味、人情人性、民族性的深化;七八十年代的研究主要是对“文革”评价的反拨;到了九十年代,研究更有新的发展,在肯定《红旗谱》革命思想价值的基础上,呈现了横纵向比较和开掘新意蕴的趋势。
Hong Oi Pu is the representative works of so -called seventeen -year literature and in the new century, the reorganization of " red classics " has become a focus. In 1950s, with the characteristics of times, the relevant research has paid close attention to the relations of art and reality; In 1960s, under the instruction of " two unions" and " class nature", it has completed the deepening of thought, human -nature, and nationality; In 1970s and 1980s, it was mainly on rebut of the comments on " Cultural Revolution" ; Until 1990s, it was furthered, with the tendency to be compared and be endowed with new connotation on the basis of the approval of the value of Hong Oi Pu
出处
《文山师范高等专科学校学报》
2007年第2期61-64,87,共5页
Journal of Wenshan Teachers College
关键词
《红旗谱》
研究视野
变迁
Hong Qi Pu
visual fields of research
vicissitudes