摘要
网络诗歌大大宏扬艺术的游戏本质,推进诗歌的自由民主,大大释放艺术的生产力、创造力,为日渐窘迫的平媒诗找到一个新平台,但不可否认,网络上更多的游戏冲动,代替了审美动机,这使得一次性消费,瞬间快乐的感官效果,掩盖了深度的精神追求。游戏性、泛诗化、语词变造、灌水技术,是当下网络体诗四大"症候"。它鲜明地体现着网络诗的诗学特征。其中某些新质素和合理性将给新诗发展带来重大影响,但其负面同时瓦解着新诗的健康生长。
Web poems greatly carry forward the playful nature of art,promote the freedom and democracy of poetry, release in an enormous way the productivity and creativity of art and find a new platform for ordinary poems, which find themselves in increasing predicament. Yet it should not be denied that more playful impulse on web takes the place of aesthetic motive. And the sensary effect of lump-sum consumption and momentary happiness covers the depth of spiritual pursuit. Playfulness, pan-poeticization, change and fabrication of terms and watering technique are the four "symptoms" of contemporary web style poems. They show clearly the poetic features of web poems and some reasonable new qualities therein will exert significant influence on the development of new poetry, nevertheless its negative side is , at the same time, ruining the sound growth of new poetry.
出处
《江汉大学学报(人文科学版)》
2007年第4期21-27,共7页
Journal of Wuhan Institute of Education
关键词
网络诗歌
网络体诗
游戏性
泛诗化
语词变造
灌水技术
web poems
web style poems
playfulness
pan-poeticization
change and fabricationof terms
watering technique