“赋者古诗之流”再探——论汉人的赋体讽谕观

A New View Of "Odes Are The Ramification Of Ancient Poetry"—— Discuss The Popular Fengyu Perspective Of Han Dynasty

本文结合班固的思想和汉代赋作状况从新思考"赋者古诗之流"的内涵和价值。本文认为,班固"赋者古诗之流"意在阐发赋体讽谕观,并非一个立足于汉赋现实的文体源流判断,只是经史学家对赋体文章提出的理想的政治要求。汉赋之"赋"源于《诗经》"六义"之"赋",以敷布铺陈为基本手法,普遍呈现出靡丽的文体特征。在经学背景下,汉人赋论执着于理想的"讽谕"而批判现实的"靡丽"。由于讽谕的创作手法与文学性文体有密切关联,使得以讽谕为依据的《汉书.艺文志》"诗赋略"的建立具有一定的文体归类意义。

In the thesis we review the old parlance of ＂odes are the ramification of ancient poetry＂. We have educed four viewpoints：The says of ＂odes are the ramification of ancient poetry＂ written by Bangu is not a stylistic judgement about odes, but the desire of function for nation; Han dynasty Odes＇ apellation root in the ‘six paradigms＇of Shi Jing Book of Songs , and always written by expatiation means, accordingly display gorgeous style and features; in Hart Dynasty, people inclined to praise odes＇ societal function and exclude its gorgeous features;for odes＇ written means is near the means to produce literature writing, the ＂Poetry and Odes ＂ of TheHan History take on some stylistic value.