“我手写我心”——抗战时期赵望云的国画艺术

"Drawing the Realistic Landscape"——Research on ZHAO Wangyun,the Chinese Landscape Painting Master during the Anti-Japanese War

本文从赵望云在抗战中(1937-1945)的艺术足迹入手,分析其独树一帜的国画笔墨形成于西北的原因。从编辑《抗战画刊》、“西北写生”到定居长安,赵望云的国画风格与抗战时期的艺术活动息息相关。对其笔墨风格的深入探索,必将更好地理解“长安画派”的崛起,并对20世纪中国画的现代化运动有一个全面而立体的把握。

Started with the artistic steps of Zhao Wangyun in the Anti-Japanese War (1937-1945), the thesis analyzes how his unique style of the brushwork came into being in the Northwest China. From editing the Pictorial of the Anti-Japanese War, drawing from nature in the Northwest and then settling down in the city of Xi'an, Zhao Wangyun's Chinese Landscape style was influenced by the artistic movements of the Anti-Japanese War. Researching into his style of the brushwork, it is easier and better to understand the appearance of 'Chang'an School' and the modernization movements of Chinese landscape painting in 20th century.