器具如何作为艺术作品——兼论海德格尔与杜尚的比较

How can the Utensil be Regarded as the Artwork——comparison between Heidegger and Du Shang

作为观念艺术的代表,杜尚引领的“现成品”促成了现代西方艺术观念的嬗变,导致了各种艺术思潮和流派的产生;而海德格尔的艺术观独具一格,他追问艺术作品的本源,提出解蔽存在者的真理观,艺术因而成为人的本源。他们的区别在于前者将现存物等同于艺术作品,而海德格尔认为艺术作品远不只是物的因素。

As the representatives of concept arts, the 'ready-made products ' led by Duchamp has facilitated the emergence of the modern western artistic schools of thinking and caused the appearance of different art ideological trends and schools. And Heidegger's artistic view is unique. He questioned the origin of the artwork, proposed view of revealing the truth of the existing. Therefore art becomes people's origin. Their difference remained that Duchamp regard the existing as the artworks, while Heidegger thought the artwork were far from it.