论《呼兰河传》叙述视角的转换及其美学意义

On the Conversion of Narrative Perspective and its Aesthetic Significance in Hulan River

《呼兰河传》的叙述视角是复杂的,全文有过多次叙述角度的转换。总体上说,是第三人称全知视角向第一人称限制视角转换;个别章节还短暂出现过视角越界,即第一人称限制叙述向第三人称全知叙述越权侵入;同时还有儿童视角与成人视角的双重叠加。

AThe narrative perspective of Hulan River is complicated with several conversions of narrative perspectives. Generally speaking, the main conversion is the narrative form from the third - person whole perspective to the first - person Limited perspective. There are also phenomena that the transitional cross - border perspective, that is the aggression of first - person limited perspective to the third - person whole narrative perspective. The third feature is the overlap of both children＇s and adult＇s perspectives.