摘要
《窦娥冤》的戏剧冲突,反映了正统的儒家思想与道德沦丧的社会现实的矛盾,窦娥不是反封建的斗士,而是伦理制度下贞孝的典型,关汉卿通过窦娥形象塑造,借助弱女子的人生悲剧,谴责现实,推崇和彰显全贞全孝,以期唤回传统道德,恢复伦理,换回社会危机。
The clashes represented in the drama "Injustice on Dou'e(《窦娥冤》,reflects the contradiction on social reality between the orthodox Confucianism and the decay of morals. Dou'e is not an anti-feudalism fighter, but a modal of virginity and filial piety in ethical system. Guan Han-qing(关汉卿)condemned the reality, commended and praised highly the full virginity and tull filial piety for the hope of calling out back traditional morality, recovering moral principles and save social crisis by creating a weak woman image of Dou'e and the tragedy in her life.
出处
《湖南科技学院学报》
2007年第7期30-32,共3页
Journal of Hunan University of Science and Engineering
关键词
关汉卿
窦娥冤
传统道德
全贞全孝
Guan Han-qing(关汉卿)
injustice on Dou'e( 《窦娥冤》 )
traditional morality
full virginity and full filial piety