摘要
苏轼以“郊寒岛瘦”来评述唐代苦吟诗人的代表——孟郊和贾岛的诗作艺术风格,得到了历代诗评家的附和。这种评述更多地表现了贬斥的倾向。孟郊和贾岛的诗作确实具有“寒”、“瘦”之风,然而,其成因是来自于内心,是诗人用艺术的语言对个人境遇和社会现实不满的情感渲泄。全面考察孟郊和贾岛的诗作,不难发现其诗歌的艺术风格的多样性,并非“寒”、“瘦”二字所能完全概括。
This discourse is mainly discussing the basic characters of the famous poets-Meng Jiao's and Jia Dao's poetry style, Su Shi's theory of “Meng Jiao's chilliness & Jia Dao's thinness” as the introduction. Meng Jiao and Jia Dao were the famous poor poets who were always have a bee in one's heads in the Tang dynasty. The discourse analyses the reasons why the theory came into being, and also gives some different opinions.
出处
《江南大学学报(人文社会科学版)》
2007年第3期77-80,98,共5页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
郊寒岛瘦
苦吟诗人
艺术风格
MengJiao's chilliness
JiaDao's thinness
poetry style