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“郊寒岛瘦”辩析

Analysis of“MengJiao’s Chilliness & Jia Dao’s Thinness”
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摘要 苏轼以“郊寒岛瘦”来评述唐代苦吟诗人的代表——孟郊和贾岛的诗作艺术风格,得到了历代诗评家的附和。这种评述更多地表现了贬斥的倾向。孟郊和贾岛的诗作确实具有“寒”、“瘦”之风,然而,其成因是来自于内心,是诗人用艺术的语言对个人境遇和社会现实不满的情感渲泄。全面考察孟郊和贾岛的诗作,不难发现其诗歌的艺术风格的多样性,并非“寒”、“瘦”二字所能完全概括。 This discourse is mainly discussing the basic characters of the famous poets-Meng Jiao's and Jia Dao's poetry style, Su Shi's theory of “Meng Jiao's chilliness & Jia Dao's thinness” as the introduction. Meng Jiao and Jia Dao were the famous poor poets who were always have a bee in one's heads in the Tang dynasty. The discourse analyses the reasons why the theory came into being, and also gives some different opinions.
作者 沈建华
出处 《江南大学学报(人文社会科学版)》 2007年第3期77-80,98,共5页 Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词 郊寒岛瘦 苦吟诗人 艺术风格 MengJiao's chilliness JiaDao's thinness poetry style
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