摘要
整个绘画史就是一部观看方式的变化史。不同的绘画源于对客观世界摩仿的层面,模仿的角度的不同,这种层面和角度的不同又源于观看方式的差异,即具象表现绘画原则——强调观看的主体性,观看的多样性,由此产生的绘画风格的多样性,就为新的绘画的产生提供了可能。
The whole history of painting can be considered as a developing history of ways of observation. Different paintings originate from different scope and different angle to imitate the objective world, which , however, just result from different ways of observation. All is defined as principle of expression figurative. This principle puts emphasis on different observers and different ways of observation, which, consequently, makes it possible to form new styles of painting.
出处
《巢湖学院学报》
2007年第4期68-70,74,共4页
Journal of Chaohu University
基金
巢湖学院2006年人文社会科学研究项目(编号:XWQ-200614)
关键词
自然
时空性
具象表现
观看方式
nature
time and space
expression figurative
ways of observation.