摘要
后现代艺术的主要特征具体表现为对经典艺术的颠覆,对传统审美的颠覆,使高雅艺术与大众文化之间的界限模糊,以至被消解了。平面化和无深度的大众文化沉溺于折衷主义与符号混合之繁杂的时尚中,复制品、拼贴等作品以及反讽、戏谑的手段充斥市场,对文化的调侃和“无深度”状态感到欢欣鼓舞。艺术产生的审美特征被轻松地解构,艺术创造的本质特征成为一种重复。这些现象成为后现代艺术的基本缺陷。
The chief features of post- modern arts are as follows: overthrowing of the classical arts, rejecting of the traditional aesthetic notion, fuzzing up or even eliminating of the boundary between the elegant arts and popular culture. Complanation and popular culture that lacks in depth indulge in the vogue of eclecticism and the multifarious mixture of symbols. The works such as replicas and patchworks and the mediums such as anti - satire and jocosity flood the market. People ridicule culture and are filled with exultation at the state of "lack of depth". The aesthetic characteristics originating in art are easily decortstructed and the essence created by art becomes a repetition. These phenomena become the basic defects of post - modern arts.
出处
《大连大学学报》
2007年第4期58-61,共4页
Journal of Dalian University
关键词
后现代艺术
平面化
无深度
失范
post- modern arts
complanation
lack of depth
loss of standardization