摘要
传统的意境理论研究多半从创作论的角度研究意境与作者的关系,或者从构成论的角度研究虚实相生的意境构成,往往忽略了意境形成的过程研究。从接受美学的角度深入分析,我们不单可以明晰地捋清文本、召唤结构与意境的生成关系,还可以勾画出读者接受与意境呈现的状态,更能明辨作者意境、作品意境与读者意境的消融,为传统意境理论研究探索新的维度。
Traditional artistic conception theory mostly researches either from the practice of writing to searches of the connection between the author and the artistic connection or from the theory of formation to study of the deficiency and excess synergism of the artistic conception,which neglects the process how the artistic conception comes into being.If we have an in-depth analysis from the point of the receptive esthetics,we can not only find out the harmonious relations among the text,the appeal structure and the formation of the artistic conception and sketch the state of the reader's reception and the artistic conception's presentation,but also better understand the blending of the artistic conception of the author,the work and the readers.In this article the author intends to seek a new space for the study of traditional artistic conception theories.
出处
《华南师范大学学报(社会科学版)》
CSSCI
北大核心
2007年第3期51-55,共5页
Journal of South China Normal University:Social Science Edition
关键词
意境
接受美学
文本
召唤结构
读者接受
artistic conception
receptive esthetics
text
appeal structure
reader's reception