试论川端康成作品中的“物哀”之美

A Discussion on the “mono-no-aware” aesthetic of Yasunari Kawabata's Works

日本现代著名作家、诺贝尔文学奖得主川端康成的美学思想中一脉相承着大和民族共有的审美特性“物哀”,本文主要从川端三部代表作中阐述了“哀”中之美:哀怜中蕴涵感动、悲伤中透出壮美。

The famous modem writer of Japan and Norbel Prize winner of literature, can be traced to the origin of the eommon aesthetie Charaeteristies ＂mono - no - aware＂ of Japanese nationality. This artiele mainly beseribes the aesthetic in ＂sadness＂ by three vepiestntative works of Yasunari Kawabata： There is moving in Pity and magestie in sadness.