摘要
《金瓶梅》的人物批评大体可分三个阶段:以《金瓶梅》刊刻时的序跋为代表的原始批评多滞留在小说名实的判断上;以张竹坡评语为代表的高峰批评则深入文本"脊髓",放射出理性的审美光芒;《金瓶梅》的人物现代批评呈现出多角度、多领域的纵深发展趋势。这三个阶段都是借人寓意的心态写真。
The history of the characters＇ research on ＂Jinpingmei＂ may be approximately divided into three stages. The oldest prefaces and postscripts which were printed on ＂Jinpingmei＂ remain comanenting on the name and the reality;the peak appraisals such as Zhang Zhu-po＇s comanent on ＂Jinpinglnei＂ have penetrated into the novel version, clariflying many reasonable and aesthetic ideas; the research of characters in modem times has formed into many---side and manyfield trends.
出处
《石河子大学学报（哲学社会科学版）》
2007年第3期63-66,共4页
Journal of Shihezi University(Philosophy and Social Sciences)
关键词
金瓶梅
人物批评
三个阶段
审美
“Jinpingmei”
research on characters
three phases
aesthetics
