摘要
本文就近来非物质文化遗产保护和各地申报世界文化遗产的多样化以及人们对考古、文化遗产、各类史学包括音乐史学的关注,本人结合近几年对音乐史学的研究,从中国古代乐器的形成与当时的生产力相适应、政治与社会制度相对应、与文学作品相呼应等方面进行了论述,以期达到人们对历史的探究,挖掘一个较为明晰的方法,起到一个抛砖引玉之作用。
This essay is written under the condition of the protection of immaterial cultural heritage.In addition to people's recent attention to archaology, cultural heritage, and various historiography.In this essay, I'll discuss the formation of our Chinese ancient instruments in different aspects.For instance, the positive relations with social capacity, politics, social systems and literature, based on my years' research.I essentially hope you can gain a clear method about history from my crude word.
出处
《南阳师范学院学报》
CAS
2007年第5期70-73,共4页
Journal of Nanyang Normal University
关键词
文化遗产
古代乐器
研究方法
cultural heritage
ancient instruments
research method