摘要
2004年诺贝尔文学奖得主、奥地利女作家埃尔弗里德·耶利内克用冷冰冰的笔调和近似病态的语言给人一种另类的审美情绪,使得她的作品呈现奇谲色彩。为此,从语言学和符号学的角度,从形式层面上分析了其作品《贪婪》的魅力,以实践后结构理论同美学相结合的文学批评之途径。
The Nobel Prize winner, Austrian writer Jelinek＇s fantastic works are characterized by their cold and nearly sick languages, which give the readers a special kind of aesthetic feeling. Hence, this paper discussed her novel Gier from the perspective of linguistics and semiotics in the form of ＂form＂ to do some practices on literary criticism combined with post-structurism and aesthetics.
出处
《重庆邮电大学学报（社会科学版）》
2007年第4期123-125,共3页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
湖南省社科项目"裂变的声音:多恩诗歌的张力建构和张力下的多恩"的阶段性成果(项目编号:03YB60
关键词
耶利内克
语言
符号
Elfriede Jelinek
language
semiotics
