10Bertolt Brecht,"A Short Organum for the Theatre," in Drew Milne and Terry Eagelton ed.,Marxist Literary Theory:A Reader,Oxford:Blackwell Press,1996,p.129.
4Michael Patterson, Strategies of Political Theatre. Post - war British Playwrights ( Cambridge University Press, 2003), p. 156, p. 156, p. 157, p. 158.
5Mary Eagleton ed., Feminist Literary Theory. A Reader (Oxford. Blackwell Publishers Ltd., 1996), p. 171.
6Lizbeth Goodman,Contemporary Feminist Theatres (London and New York. Routledge, 1993 ) , 14-37页.
7Helene Keyssar, " Hauntings. Gender and Drama in Contemporary English Theatre " in English Amerikanische Studies 3. 4 (1986) . 458, 454.
8Amelia Howe Kritzer, The Plays of Caryl Churchill . Theatre of Empowerment ( London . The Macmillan Press Ltd., 1991), pp. 6-7, p. 9, p. 92, p. 11, p. 12, p. 13, p. 13.
9Churchill. Plays One (London. Methuen Drama,1985), 33页.
