张扬女性生命本体的性别语言——论“女性声音的诗学”

Publication of Sex Language of Female's Life Noumenon——On Poetic Theory of Female's Voice

“声音的诗学”属于后现代语境中“先锋批评”的美学范畴。作为美学范畴的声音,既是一个文化概念,也是一个叙事学语词,同时也是一种审美意象。女性生存的意义在于反驳男性声音暴力,以女性意识,发出自己的声音,进行女性的审美创造。对女性“声音”即文本内蕴和话语方式的研究即“女性声音的诗学”。从无身份的沉默或称“类失语”,到“自听自说”,再到发出“自己的声音”,建构了女性“发声”的历史,也是女性主体价值确认的历史。在两性声音场域中,不能只有一种声音,只有两性和声,才更符合社会的、美学的和谐生态观。

“Poetic theory of voice” belongs to aesthetical category of “pioneer criticism” in postmod- ernist context. As the voice of aesthetical category, it is not only a cultural conception, but also a narra-tive vocabulary and also a kind of aesthetical image. Female＇s living significance lies in opposing the vio-lence of male＇s voice, and uttering their own voice with female＇s consciousness and proposing female＇s aesthetical creation. Research on female＇s voice, text connotation and discourse methods, namely, “po-etic theory of female＇s voice”, can build a history of female＇s “utterance”, from the silence of no identity or “similar to aphasia”, to “listening and speaking by herself”, to uttering their own voice, which serves as the history of confirming female＇s principal value. In the voice of female and male, only female and male＇s voice in harmony instead Of one voice alone can accord with social and aesthetical view of harmoni-ous ecology.