摘要
艺术语言往往以形象观照的审美方式对反映客体和发话主体双重肯定。艺术语言的美的本质是发话主体本质力量的对象化。在艺术语言的运思过程中,体现了发话主体审美的差异性。艺术语言的产生往往以情感为内趋力,这种情感一旦在内心成熟,就会极力地寻找某种方式呈现和表达出来,它具有感动力和感染力。它通过有限的言语,表达了发话主体丰富的思想、情感以及社会内容。它是个性的表现,不用陈辞乱套,不守定法,而用活法。它虽然具有辞才和辞气,但它自然,浑然天成。
Artistic language makes double positive towards the reflective object and the utterance subject by the aesthetic mode of imagery examination. The essence of the beautiful artistic language is the objected nature of the utterance subject. The thinking process of artistic language embodies the aesthetic differences of the utterance subject. The production of the artistic language usually takes the emotion as its internal force. Once it matures in the heart, this emotion will try its best to find a certain way to present and express itself. Artistic language has move power and infectious power. Through the limited language, it expresses the utterances rich thought, emotion as well as the social content. It also exhibits the personality, without obsolete phrases but in a creative way. Although possessing the ornate diction, artistic language is natural and an integral whole.
出处
《楚雄师范学院学报》
2007年第7期1-5,共5页
Journal of Chuxiong Normal University
关键词
艺术语言
审美
自然
运思
情感
artistic language
aesthetic
nature
thinking
emotion