摘要
"下半身"诗歌创作与身体写作都是以身体感受为写作源泉,以身体感受为内驱动力,表达来自内心深处的欲望。女性用自己的身体为武器,从女性自身的感受中寻找女性特有的话语,抗拒男性话语权。而"下半身"诗人则是对主流意识文化的抗拒,但是"下半身"诗人没有将身体写作作为一种文化来研究,没有使身体写作完成文学性的诗学转换,而最终滑向了纯粹的肉体写作。
The poetic writing headstream and driving force are somatic feels from the deep heart of the two styles of the poetic schools of "fleshy and sensual concern" and body writing. Women using themselves bodies as the writing weapon to seek ask for female own words and to exclude masculine words. However, the poets of "fleshy and sensual concern" dispute to the mainstream ideological culture, but the poets of "fleshy and sensual concern" didn' t take the body writing as a culture to study. They didn' t allow body writing achieving cultural transition. Consequently, they writing style slide to pure carnal writing.
出处
《楚雄师范学院学报》
2007年第7期30-35,共6页
Journal of Chuxiong Normal University
关键词
身体写作
女性写作
“下半身”写作
body writing
feminism writing
poetic school of "fleshy and sensual concern"