摘要
托尼·莫里森的《宠儿》自发表以来,小说中人物宠儿的身份引起了许多读者的兴趣,普遍对她身份的确定感到困惑。在后现代主义研究中,表面文本和隐含文本明确的终极意义不复存在。在这种大气候影响下,宠儿的身份和揭示主题自然地表现出多样性和开放性。
Since the publication of Toni Morrison' s Beloved,the identity of character Beloved intrigues a lot of readers, who are confused about who Beloved really is . Tiffs article points out that in the era of postmodemism , the definitive and ultimate meaning of the text does not exist any longer. In this big cultural climate , Beloved's identity and thesis naturally appear to be open to multiinterpretations.
出处
《黑龙江教育学院学报》
2007年第5期86-88,共3页
Journal of Heilongjiang College of Education
关键词
宠儿
身份
主题
解构主义
Beloved
identity
thesis
deconstruction