论半音中音关系和弦连接

On the Note relation in Semitone and Chords Sequence

半音中音关系和弦连接从出现至今已有四百多年,从传统和声中的次要地位,到近现代成为一种作曲家喜爱的和弦序进,半音中音关系和弦连接是随着和声半音化的进程逐渐得到重视和运用的。在和声半音化的进程中,半音中音关系和弦连接的性质也发生了一些变化。与在传统和声中次要位置相比,近现代音乐中的半音中音关系和弦连接的应用更为主动,也包含了更多的半音调性的因素,并且有了自己的概念与名称,不再是根音四、五度和声序进的附属,真正成为了一种独立的和声序进。文章通过对各调性体系中半音中音关系和弦连接的分类,探询半音中音关系和弦连接的变化与发展。

It has been four hundred years since the note relation in semitone music been appeared, and it become a chords sequence favored by modern composers from subordination status in classical harmony. That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism. The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality. With its own conception and titles, not the pertain to the roots fourth or fifth chords sequence, the chromatic turned into a individual harmonic sequence itself. The article discussed their changes and development through the sort of chords sequence and note relation in semiton within each tonality system.