摘要
柳宗元运用不同视角与多种笔法塑造了一组神态各异的商人形象。这组商人形象在中唐散文中的出现,不仅明示着柳文对史传文学手段的继承与突破,深隐着中国文化对商人注重道德评判的传统意识,承载着柳宗元对政治与士风进行干预的一贯精神,也构成了对当时新乐府诗歌创作的呼应,实现了新式散文的社会价值与文学价值的高度统一。
Liu Zongyuan moulded a set of merchants'figures in his proses by many ways. These figures came up in proses of Mid Tang Dynasty. They not only showed that Liu Zongyuan was a heir and innovator of historical literature, but also hid the ideology about merchant from Chinese traditional culture. And these figures of merchants in Liu Zongyuan's proses became the incarnation of Liu Zongyuan's spirit that always intervened the politics and the general mood of scholars. It echoed the New Music Poems at that time and unified highly the social value and the literary value.
出处
《山西师大学报(社会科学版)》
北大核心
2007年第4期89-92,共4页
Journal of Shanxi Normal University(Social Science Edition)
关键词
柳宗元
散文
商人形象
Liu Zongyuan
prose
the figures of merchant
mould