摘要
由音乐对自然的模仿到对动态、情感、性格的模仿,音乐审美模仿说在哲学上已具有模仿论和情感论因素的二重性,为情感论的出现打下了基础。因此,在审美史上,音乐审美模仿论是功不可没的。
From the musical imitation of nature to the dynamic, emotional and character imitation, the aesthetic imitation of music has had dualism of imitation theory and emotionalism and lay the foundation for the emergence of emotionalism. So, in the history of aesthetics, the aesthetic imitation of music is definitely not to be neglected.
出处
《长春师范学院学报》
2007年第1期152-153,共2页
Journal of Changchun Teachers Coliege
关键词
音乐审美
自然
模仿
musicological aesthetic
nature
imitation