中国画教学初探——从徐悲鸿、潘天寿教学思想谈当下高校中国画教学

Discussing Chinese Painting Teaching Preliminarily——Talking about Chinese Painting Teaching in University According to the Teaching Thought of Xu Beihong and Pan Tianshou

中国画教学方法自古代的非学院“师徒制”,发展到今天学院制的教学方式,其中现代美术教育家徐悲鸿、潘天寿两位大师的教学思想起到了决定性作用。在当下艺术的多元化时代,只有将徐、潘他们二位教学思想有机地结合起来,即“素描加笔墨”的高度融合,才是适应国画的特点与法度。只有把临摹与写生交叉互补教学和提高学生的鉴赏能力,增加理论知识素养,把绘画实践与理论知识结合起来,才是真正意义上高等艺术院校中国画教学。

Chinese painting teaching method stemmed from ancient nonacademic master-apprentice system, and developed into current academic teaching style. The teaching thought of modem artists Xu Beihong and Pan Tianshou played a decisive role. With the developing of modem art , we must combine Xu＇s teaching thought with Pan＇s teaching thought , it will adapt to Chinese painting＇s characteristic. We must unite the practice of painting and theory, it will become truly Chinese painting teaching in art colleges.