论五言古诗体式韵调韵式的律定

A Tentative Study of the Prosody of the Rhyming Tones and Patterns of the Wuyan Poems

五言诗发始于先秦诗经时代,在民歌的土壤中滋生,经过两汉、魏晋、齐梁文人的研讨和实践,形成了五言古体和五言近体两大体式,二者争辉相映,各领风骚,在中国诗歌史上放射着夺目的光芒,它们是中国古典文学的宝贵财富。五言近体诗是形式主义诗歌的代表体式,它有严格的形式要求,如句字数、平仄、对仗、押韵等。这些形式要求是随着汉语音韵学的发生,经过文人不断的探索,在齐梁时期定型的,它包括了五言近体诗的体式、五言近体诗的韵式、五言近体诗的韵调等三个方面的律定过程。

Wuyan poems, a kind of poems made of lines containing five Chinese characters in each line, originally born in folk songs, bred by the discussion and practice by men of letters during the Han Dynasties and Wei,Jin and Liang times of Qi Dynasty,thrived to be two styles, the ancient Wuyan and Late Wuyan, which are influent to each other but unique in each own. They both are outstanding treasures in Chinese ancient Literature. As a representation of the formalistic poems, The Late Wuyan is strict in the number of characters, the scansion, couplets and rhymes in terms of form. The formal requirements became gradually fixed in the Liang times of Qi Dynasty, with the birth of the Chinese Prosody and research of the men of letters. They involve prosody of the styles, rhyming patterns and tones of Late Wuyan poems.