摘要
数字媒介及其网络文化带来了艺术审美边界的拓展,形成了当代文艺的不断“扩容”,调整了人类文明元典预设的艺术逻各斯的依存形态,带来文论学理原点的位移,并实施着文艺谱系置换后新的文论原点的重建。这主要表现为:艺术是什么——虚拟世界的自由表征;艺术写什么——数字化生存的平民叙事;艺术怎么写——―以机换笔的感觉撒播;艺术干什么——自娱以娱人的文化消费。
Digital media and the network culture bring the expansion of the boundary of artistic aesthetics, forming the continuous "extension" of contemporary art and literature. It reshapes the classic artistic form of human civilization, which translocates and then rebuilds the literary criticism origin after the displacement of literary pedigree. It is mainly embodied from the following aspects: what is art?-free representation of fictitious world; what should be written?-civilian narration of digital existence; how to write? -the dissemination of feelings by means of the computer instead of the pen; what does art serve?-cuhural consumption of entertaining oneself as well as others.
出处
《廊坊师范学院学报》
2007年第4期1-4,共4页
Journal of Langfang Teachers College
基金
国家哲学社会科学基金项目(06BZW001)
关键词
文艺学
边界拓展
原点位移
art and literature
expansion of boundary
translocation of origin