摘要
中国早期现代派话剧在接受西方影响时往往不是单一的而是多维的,很难从流派上加以划分,而从情感表现内容上即文学母题上,则易于划分。本文以母题选择为标准,把现代派戏剧划分为美的梦幻、生的迷途、死的诱惑和爱的绝望四种类型,并以作品试加分析。
This paper attempts to classify the literary motifs of the early Chinese speech plays that had been composed under Western modernist influences into such categories as aesthete' s dream, disorientation, death, and hopeless love.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2007年第2期41-50,共10页
Drama:The Journal of the Central Academy of Drama
关键词
话剧史
现代派
母题选择
early Chinese modernist plays, motifs