摘要
精神分析学对20世纪30年代的中国剧作家产生了深刻的影响。左翼戏剧界从文艺社会学的视角检视之,为30年代跻身于剧坛的左翼剧作者创设了借鉴的文化策略,也给左翼外剧作者的创造性接纳提供了堪可鉴戒的参照,而左翼外剧作家将之纳入多元化接受、创造性融汇的范式中。概言之,精神分析理论已渗入到剧作家的主体心理与艺术实践中。
This paper offers a retrospective overview of the impact of psychoanalysis on Chinese playwrights during the 1930s. The interpretation of psychoanalysis by left wing men of letters primarily from a socio- literary angle offered a cultural stratagem for the leftist cause and a stimulant for their creative work, while its influence on playwrights of other political persuasions can be seen as more diversified.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2007年第2期51-58,共8页
Drama:The Journal of the Central Academy of Drama
关键词
精神分析学
剧作家
接纳
重构
psychoanalysis, Chinese playwrights of the 1930s, influence