摘要
女性在性方面的独立自主日益成为当今中国社会中女性解放的前沿问题之一,而在舞台上建构和再现这种主体性的努力也悄然出现。通过将越剧《蝴蝶梦》(2001年出品)放在庄周梦蝶故事的历史发展及其各种形式的当代舞台演绎之纵横当中来解读,我们可以考察戏剧中对性与道德的男性中心主义的传统表述,以及当代女艺术家对这一传统的颠覆。
Women＇ s sexual autonomy has been brought to the foreground of China＇ s feminist movements, and found its way in theatrical construction and representation. An examination of Zhejiang opera Butterfly Dream （2001） with reference to historical and contemporary variations on the prototype story may provide clues to understanding the traditional phallocentric discourse of sex and morality in theatre, and contemporary women artists＇ efforts to break away from that tradition.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2007年第2期81-95,共15页
Drama:The Journal of the Central Academy of Drama
关键词
蝴蝶梦
女性
性爱
道德
Butterfly Dream, women, sexuality, morality
