规训与逃逸——以《龙江颂》为例论样板戏的接受

The Gauge Teaches and the Escape—— Take "Long Jiang song" as the Example Discusses the Model Play Acceptance

样板戏是历史环链中的现象,其目的在于意识形态的灌输。在传播过程中,解码决定传播的效果。样板戏《龙江颂》的解码分为自由解码和规范解码。主流意识形态通过对解码的全程规训,达到规范解码。《龙江颂》的解码时有逃逸出规范解码的情况,这表明样板戏的复杂性与多义性。在历时接受中,消费因素的驱动导致《龙江颂》的部分重现。一旦消费动力撤除,样板戏的“回温”只是短暂现象。

The historical chains effect of The artistic model of Peking opera had its popurse in inculcating with the Ideology. In the course of disseminating, Decoding has decided the effect disseminating. The artistic model of Peking opera of ＂ Long Jiang song ＂＇s decoding is divided into decoded standardized and decoded freely.The ideological form stacks main current reaches the standardized decode through training the whole rule decoded.The decoded reader of ＂ Long Jiang song ＂ have running away out the normal standardized decode. This indicates complexity and ambiguity of The artistic model of Peking opera. In last accept, consumption drive of factor lead to the fact ＂ Long Jiang song＂＇s part reappears in. Once consumption drive force remove, ＂ Resurgence ＂ of The artistic model of Peking opera only the transient phenomenon.