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喻示色彩别样解读——影片《一个女人的一生》的构图和特写

The Analyze of the Composition and Close-up of the Figurative Meaning in the Film 《The Whole Life of a Woman》
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摘要 电影只有运用表现技巧,表现手法,才能塑造人物,才能突出电影的喻示色彩,从而深化电影的思想内涵。构图和特写是电影画面处理的两个重要方面。韩国电影《一个女人的一生》在构图方面有着一定的典型性,通过不规则构图和前后呼应的构图形式向观众展现了丰富的电影内容。喻示了深刻的思想内涵。同时,《一个女人的一生》特写也运用得恰到好处,深入细腻地表达了人物的内心世界,获得了更强的艺术感染力,特写的喻示色彩将影片的主题内容表现得淋漓尽致,并且有了高度的升华。构图和特写的喻示色彩在影片中得到了充分的表现。 Only by employing the skills and methods of reflecting, can moyie portray figures successfully and express the figurative meaning of the film and deepen the ideological intention. Composition and close-up are the two important aspects in the arrangement of film tableaux. The Korean film The Whole Life of a Woman has the typicality in the aspect of composition. It expresses profound ideological intention and shows us plentiful content by using irregular and coherent composition. In addition, the using of close-up in The Whole Life of a Woman is just all right. It shows the figure's innermost world very deeply and exquisitely. Thus, it gets better artistic appeal. The figurative meaning of close-up in this film expresses the theme to the full and sublimates its theme. In a word, the figurative meaning of composition and close-up reflects very fully.
作者 才娟
机构地区 绥化学院中文系
出处 《绥化学院学报》 2007年第4期81-83,共3页 Journal of Suihua University
基金 绥化学院2007年人文社会科学研究项目(编号R073001)
关键词 构图 特写 喻示色彩 composition close-up figurative meaning in the film
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