摘要
《淮南子》的大美之境是一种汇融万千、宽宏博大、真善美和谐统一的审美理想观。大美的理论前提和哲学依据是大"道",大美的表现特征为无限丰富性、大审美观视野和雄浑壮大的审美形态,大美的内涵是真善美的和谐统一的"神化"境界。大美之境是汉初时代精神的突出表现,对中国的审美文化传统产生深远影响。
The grand beauty realm of Huainanzi is a magnanimous, generous and great aesthetic ideal view in which harmoniously unified the truth, the good and the beauty. Its theoretical premise and philosophical basis of grand beauty is grand “Tao”. Its characteristics are infinite abundance, big esthetic visual field, and majestic esthetic morphology. Its connotation is the “apotheosis” realm in which harmoniously unified the truth, the good and the beauty. It is the outstanding performance of the time spirit in early Han dynasty, which produces profound influence on Chinese esthetic cultural tradition.
出处
《安徽师范大学学报(社会科学版)》
2007年第4期450-456,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽农业大学繁荣发展哲学社会科学基金项目(2006SK10)