摘要
蒙古族三弦的技法中的"长滚""颤指""滑音",正是在深刻表现长调牧歌的实践中产生并完善的。蒙古族三弦音乐和中原音乐之间的交流融合也是很密切的;特别是草原的马文化对中原音乐的影响也是久远而深刻的。
The "long rolling" , "trembling fingering" and "portamento" of the Mongolian Sanxian Techniques originated and perfected in the practice of the profound presentation of the long tune eclogues. The communication and mixing up between Mongolian Sanxian music and Central Plain music is also very close and the influence of the horse culture on music of the Central Plains is also long and profound.
出处
《内蒙古大学艺术学院学报》
2007年第2期9-12,共4页
Journal of Art College of Inner Mongolia University
关键词
蒙古族三弦
草原马文化
长调牧歌
Mongolian Sanxian
horse culture on grassland
long tune ecologue