女性消费的社会文化构建——对方方小说中女性文化的别样言说

Construction of the Social Culture of Women's Consumption——A unique interpretation of the female culture in Fangfang's novels

方方的小说《树树皆秋色》、《出门寻死》以她对"女性生命运的关注"的取向选取女性日常生活的原生场景描写,她们的消费行为蕴涵的符号标识了她们各自的阶层和群体,显示了她们之间的区隔,读者可由此体察作品人物。传统习俗与文化将女性消费作了亚范畴地位的规制,女性的消费也是由社会和文化人为建构的。她们既有通常的男权社会所期待的女性角色的消费,又有中国式的女性代理消费。通过文化分析研究,可对女性文学的研究提供一个能够深入当代消费社会机制的更为广阔的视野。

The two novels by Fangfang, Every Tree is an Autumn Scenery, Out for Death, depict original scenes in women＇s daily life on a basis of the focus on women＇s fate, the symbols contained in whose consumption behaviors mark their own status and groups and signify the differences between them, from which readers can appreciate the characters. As traditional customs and culture confine them to a non-mainstream consumption status, women usually adopt both the consumption role as expected by the patriarchal society and the Chinese female agent consumption. Through the analysis and research on the culture, a more broad research view on the female literature can be obtained, which can penetrate into the contemporary consumption social mechanism.