从二十世纪中国音乐家的三大贡献看彭修文民族管弦乐艺术的实践

A Study of Peng Xiuwen's Practice of Chinese Orchestral Music from the Perspective of the Three Major Contributions Made by Chinese Musicians in the 20～(th)Century

二十世纪，世界大变，中国大变。二十世纪的中国人，最终没有在西方的枪炮下屈服；而不少的中国音乐家，却以忘我的精神、乞灵的心态，用双手热情地迎来了西方的音乐文明。在西方音乐文明的光环下，两眼失明，并企望在中华大地再现所谓具普世价值的西方音乐文明。近一个世纪来，方兴未艾。甚至连建院之初以发展．民族音乐为宗旨的中国音乐学院，在专业结构上也实际上变成了“第二中央音乐学院”。

In 1982,a monograph entitled On Tunes,which features the basic forms of Chinese and Western music by means of comparative study,was published.Its author,Shen Qia,discovered the existence of “Yinqiang',a major tune system in traditional Chinese music.The concept of 'Yinqiang',or 'tune of music',was derived from the basic ideas of music in the traditional music of the Han ethnic group.This basic music concept,different from that of Western music,produced a system that is also different in 'form and style' from the West.It is this book that made us rediscover and reevaluate the Western music cultures and the fundamental music theories,which have been cherished as classics of so-called universal value,as well as the savage criticism on traditional Chinese music,so as to modify our concept and understanding of Chinese music,Western music and even world music.This is the very contribution that Chinese musicians made to the creation and development of basic music theories in the 20th century.