摘要
在“主旋律”创作中,作为大众文化重要形式的影视剧在意识形态传达的效果上要好于小说,因而,影视剧获得了市场和国家的双重支持,因而可以获取更多的物质利益和象征性利益。这吸引了众多小说家投身“主旋律”影视剧创作,或者把获得影视剧改编作为小说创作的重要目标。这内在地影响了小说创作的技巧与模式。但从另一方面来看,小说又构成了“主旋律”创作包括影视剧创作的一个重要前提,并为之提供了基础。
In the creation of "theme" works, film and TV plays as an important form of popular culture are more effective than novels in the propagation of ideology, thus film and TV plays, dually supported by the market and the government, are able to be rewarded in material and symbolic interests. In such a case, numerous writers have thus been drawn to the creation of "theme" film and TV plays or have aimed at being empowered to adapt novels for films and TV, which has somewhat influenced the skills and mode of novel creation. On the other hand, novels have constituted another key premise for and have provided a basis for the production of "theme" works including film and TV plays.
出处
《海南师范大学学报(社会科学版)》
2007年第2期45-48,共4页
Journal of Hainan Normal University(Social Sciences)
基金
海南省教育厅高校科研资助项目
项目编号:Hjsk200603
海南大学科研基金资助项目
项目编号:Kyjj0505