摘要
孔颖达恢复汉人以象数解易的传统,以"元气"①释易之太极。天(阳气)地(阴气)交感,产生了万事万物、人伦社会,二者共同构成了生生不息的大化流行。感应之道遍布于宇宙万物的各个层面。心物彼此感受对方的节奏和生命。人心感万物所生的念虑之情在自然而然的本性的指引下成为审美之情,生生之宇宙由此而成为人情化、审美化的宇宙。
Kong Yingda restored the tradition of ＂yi＂ in Han Dynasty, which was explained by ＂xiangshu＂, through explaining ＂taiji＂ of ＂yi＂ by using ＂yuanqi＂. It is the sun, yangqi, and the earth, yinqi, that mix with each other, and create all the living things in the world, including human beings. And they form the vital universe. Xiang exists in all the aspects of the living things in the universe. People feel the rhyme and life of the living things, and then the feeling, guided by their nature, becomes aesthetic appreciation, the vital universe thus becomes the humanized universe, and the aesthetic universe.
出处
《黄冈师范学院学报》
2007年第4期71-75,共5页
Journal of Huanggang Normal University
