摘要
生命的意义问题是青年尼采文化思考的核心问题;以这个问题来考量现代文化,现代文化作为科学的,市侩的和历史的文化瓦解了宗教-形而上学的一体化力量,导致生命意义丧失。青年尼采据此有针对性地通过将艺术形而上学化,试图用形而上艺术替代和承担宗教-形而上学的一体化功能,以解答生命的意义问题,他并且在希腊悲剧文化中找到了这种形而上艺术的范型。
The question of life's significance is the core question which young Nietzsche pondered about culture. Considered by this question, modem culture as scientific, philistine and historical culture has disintegrated the religious - metaphysical integrated force, caused the life's significance to lose. According to this, young Nietzsche attempted to substitute and undertake the religious metaphysical integrated function with metaphysical art, and to explain the question of life's significance through the artistic metaphysics, and he has found this type of metaphysical art in the Greek tragedy culture.
出处
《北京科技大学学报(社会科学版)》
2007年第2期162-166,共5页
Journal of University of Science and Technology Beijing(Social Sciences Edition)
基金
江苏省高校2005-2007年人文社会科学研究项目(项目号:05SJD720018)
关键词
生命的意义
文化现代性
悲剧文化
life's significance
cultural modernity
tragedy culture