摘要
不同的文化背景使小提琴这一外来乐器在"民族化"的时候呈现出不同的发展形态。本文以小提琴在广东音乐及粤剧演奏中的使用为例,对其发展、表现形态、文化心理及文化特征等方面进行分析总结,以期对我国小提琴"民族化"发展的理论研究起到补充及借鉴作用。
A different cultural background makes the imported violin show different developmental patterns in the "nationalized process". This paper, based on the use of violin in Cantonese music and opera, analyzes the development and expression patterns, cultural psychological status and cultural characteristics, with a hope to provide supplementary reference to the study of "nationalization" of violin.
出处
《星海音乐学院学报》
2007年第2期69-73,共5页
Journal of Xinghai Conservatory of Music
关键词
小提琴“民族化”
广东音乐
粤剧
Nationalization-Violin
Cantonese music
Cantonese opera