从性别自觉到文化自觉——中国当代女性电影思潮的流变、意义及悖论

The Evolution,Significance and Paradox of the Thought of Chinese Contemporary Female Films

1980年代以来的女性电影完成了一个从性别自觉到文化自觉,从潜意识场景到历史场景,从成长的神话到生存的寓言,从差异性的苦恼到差异性的维护,从电影主题的女性自觉到电影语言的女性自觉,从造型表现主义到静观写实主义的转变。这个转变一方面是女性意识日益深化并世俗化的结果,另一方面则是女性社会文化空间的初步建立。女性电影的生成不仅仅是一个基于性别政治的文化实践,同时也是基于民族/阶级/代际政治的影像建构,在一个复杂的意识形态体系中对于性别政治的突出,往往成为主流文化遮蔽其他文化冲突的有效途径,中国的女性电影在与主流文化的对抗中也是一个共谋的角色。

Since 1980s Chinese Contemporary female films have gone from a gender consciousness to cultural consciousness, from subconscious scenes to historical scenes, from anguish of difference to maintenance difference, from modeling to expressionistic realism. In a complex system of gender and political ideology, the mainstream cul- ture and cultural conflicts are often obscured by other effective means. China＇s women in the film are confronting with the complicity of the mainstream culture＇s role.