摘要
明清散文流派众多,明确接受韩文艺术传统的只有唐宋派、桐城派和湘乡派。数量虽少,但影响比较大。其他流派,疏离倾向明显。它们对韩文艺术传统的接受或疏离,受到明清思想文化新变和韩文艺术传统儒家思想属性的影响。接受或疏离,主要表现在对待韩文艺术精神和艺术风格的态度上。而无论接受或疏离,都不是绝对的,而是接受中有疏离,疏离中有接受。
There were a variety of prose schools in Ming and Qing Dynasties. Among them, only Tang-Song, Tongcheng and Xiangxiang Schools received HAN Yu's literary tradition. Though a minority, they exerted a great influence while other schools expressed a rather distinct inclination of alienation. Their reception or alienation of HAN Yu's literary tradition was affected by two factors: the ideological and cultural evolution in Ming and Qing Dynasties and the Confucian properties of HAN Yu's literary tradition. Their attitudes of the reception or alienation were mainly reflected on how they treated HAN Yu's literary spirit and artistic style. Yet, their reception or alienation was not at all absolute. There was alienation in their reception, and vice versa.
出处
《武汉大学学报(人文科学版)》
CSSCI
北大核心
2007年第4期483-490,共8页
Wuhan University Journal (Humanity Sciences)
关键词
韩文
艺术传统
接受
疏离
HAN Yu's prose
literary tradition
reception
alienation