摘要
和雇制度起源于先秦时的和买交易活动,至迟在两宋转折前后,应用于宫廷音乐实践。它对于后者所发挥的主要作用在于:通过流动性极强的和雇乐人在宫廷举乐活动中补足在籍乐工的缺额,以及与相对稳定的在籍乐工在宫廷内的共同执事活动,大幅度沟通了宫廷殿堂、城市勾栏与乡村庙台音乐的表演内容与形式,从而使当时的宫廷音乐能够不断从民间市井音乐中汲取活力,最终走向了世俗化与多元化。
“Hegu system”,a way of official employment,from “hemai” transaction,a means of taxation in the form of official purchase originated in the pre-Qin period(before 221BC).Between the two Song dynasties,“hegu” was applied to the musical activities of the imperial court,which made it possible for court music to keep drawing dynamics from urban folk music,thereby fulfilling its historical mission of “cultural downward mobility” through popularization and pluralism.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2007年第2期79-88,共10页
Art of Music(Journal of the Shanghai Conservatory of Music)
