《切韵》韵类考辨异同分析——对“止”摄分合的个案研究

An Analysis on the Diversities of Rhyming Categories of Qieyun——A Case Study of Zhi She(止摄)

《切韵》是研究中古音最重要的参考资料,精髓在于其中的反切。陈澧首创"反切系联法",并系联考求出40个声类,311个韵类。其后,曾运乾、白涤洲、罗常培、陆志伟、王力、董同龠禾、周祖谟、李荣、邵荣芬等先生,先后致力于此,大大丰富了"反切系联法"理论,使得《切韵》音系声类韵类的考求结论更加完善。因为所据版本和材料有别,加之对一些切语的不同处理,以上诸家在最终的结论上还存在一定分歧。盘点理论,理清分歧,将给进一步学习和研究《切韵》系韵书奠定扎实的基础。

The sound system of Qieyun（切韵） actually is the same as Guangyun＇ s. Guangyun（广韵） is one of the most important rhyming materials to study midancient sound system of Chinese. The essence lies in its Fanqie（反切）. In Qing dynasty, Chenli created a research approach called Fanqie xilian（反切系联法）. Later on, Zeng Yun- qian, Bal Di -zhou, Luo Chang- pei, Lu Chang - pei, Lu Zhi - wei, Wang Li, Dung Tong - he, Zhou Zu - too, Li Rong, Shao Rung - fen also did the similar researches. Some differemces emerged because their reseaches were based on the different editions and methods. The diversities lie in 1. the different editions and proofreadings. 2. the different ways to deal with Chongniu（重纽）.