摘要
鲁迅作品呈现着"人与鬼的纠葛和交融",基于败落家族后系子孙承受的"鬼"的梦魇的切身体验,鲁迅对"人鬼纠葛"的社会中人生悲剧的展示极其深入,显示出《新青年》同仁倡导思想启蒙之不足;鲁迅作品同时又存在着一个"人鬼交融"的世界,这与他对"道教"与"道士思想"的区分相一致,根源于他早期思想中对民间宗教的肯定和追寻,是他审视和批判人鬼纠葛的社会根基之一,同时,又是在补救"五四"新文化倡导之局限。
Instruction: There' s obvious reflection of "Entanglement and Combination of Human and Ghost"in Lu Xun' s works. He had gone through the nightmare of being a "ghost" when the family was declined. Therefore, his description of social tragedy was quite thorough, representing the limitation of New Youth ideology. In the mean time, there' s a world of "Combination of Human and Ghost" in Lu Xun's works. This is closely related to his separation of "Daoism"and "Daoist Thought" which was derived from Lu Xun' s early chase for religion. This is also Lu Xun' s critical social root for his thought and the remedy for New Culture movement limitation.
出处
《雁北师范学院学报》
2007年第1期54-58,共5页
Journal of Yanbei Teachers College
关键词
鲁迅
人鬼纠葛
道教
新文化
Lu Xun, entanglement and combination of human and ghost, daoism, new culture movement