摘要
在西方当代汉学研究中,中国传统审美概念"境",包括"意境"和"境界",是一个重要的学术课题,该课题的入门之径,是对"境"这一术语的翻译和阐释。本文从西方当代汉学切入,通过检讨西方汉学学者对"境"的翻译和阐释,在诗学渊源上重审这一概念,强调"境"之内在与外在的主客观双重性,并由此解读南宋张炎词论的清空之境,也检讨王国维在意境问题上对姜夔的非难。
In contemporary Sinology （Chinese studies in the West） , the traditional Chinese aesthetic concept ＂inscape＂ （ jing） is an important subject of research. In this essay, the author discusses some leading Sinologists＇ translations and interpretations of this term, and explores the objectivity and subjectivity of the concept ＂inscape＂. Based on this study, the author further examines Zhang Yan＇ s poetic concept ＂transparency＂ （ qingkong） and also offers a reconsideration of Wang Guowei ＇ s poetics on ＂inscape＂.
出处
《中国文学研究》
CSSCI
北大核心
2007年第3期47-51,79,共6页
Research of Chinese Literature
关键词
境界
西方汉学
翻译
梵文
清空
inscape
Sinology
translation
Sanskrit
transparency
